أَلَمْ تَرَ إِلَى ٱلَّذِينَ يَزْعُمُونَ أَنَّهُمْ ءَامَنُوا۟ بِمَآ أُنزِلَ إِلَيْكَ وَمَآ أُنزِلَ مِن قَبْلِكَ يُرِيدُونَ أَن يَتَحَاكَمُوٓا۟ إِلَى ٱلطَّٰغُوتِ وَقَدْ أُمِرُوٓا۟ أَن يَكْفُرُوا۟ بِهِۦ وَيُرِيدُ ٱلشَّيْطَٰنُ أَن يُضِلَّهُمْ ضَلَٰلًۢا بَعِيدًا
Alam tara ilâ allaẕeena yazʿumoona annahum âmanoo bimâ onzila ilayka wamâ onzila min qablika yureedoona an yataḥâkamoo ilâ alṭṭâghooti waqad omiroo an yakfuroo bihi wayureedu alshshayṭânu an yuḍillahum ḍalâlan baʿeedân
Interpretation
The interpretation of this verse has not been added yet.
Matrix Dynamism
- Matrix point
- DU4 (336/365)
- Channel
- Du kanalı (arka orta hat) · DU
- Element
- —
- Sign
- Balık
- Body region
- Ayaklar / lenf
- Ruler
- Jupiter
- Decan
- 1 · Satürn
Abjad Values
| # | Word | Value |
|---|---|---|
| 1 | أَلَمْ | 71 |
| 2 | تَرَ | 600 |
| 3 | إِلَى | 41 |
| 4 | ٱلَّذِينَ | 791 |
| 5 | يَزْعُمُونَ | 183 |
| 6 | أَنَّهُمْ | 96 |
| 7 | ءَامَنُوا۟ | 99 |
| 8 | بِمَآ | 43 |
| 9 | أُنزِلَ | 88 |
| 10 | إِلَيْكَ | 61 |
| 11 | وَمَآ | 47 |
| 12 | أُنزِلَ | 88 |
| 13 | مِن | 90 |
| 14 | قَبْلِكَ | 152 |
| 15 | يُرِيدُونَ | 280 |
| 16 | أَن | 51 |
| 17 | يَتَحَاكَمُوٓا۟ | 486 |
| 18 | إِلَى | 41 |
| 19 | ٱلطَّٰغُوتِ | 1446 |
| 20 | وَقَدْ | 110 |
| 21 | أُمِرُوٓا۟ | 248 |
| 22 | أَن | 51 |
| 23 | يَكْفُرُوا۟ | 317 |
| 24 | بِهِۦ | 7 |
| 25 | وَيُرِيدُ | 230 |
| 26 | ٱلشَّيْطَٰنُ | 400 |
| 27 | أَن | 51 |
| 28 | يُضِلَّهُمْ | 885 |
| 29 | ضَلَٰلًۢا | 861 |
| 30 | بَعِيدًا | 87 |
| Total abjad value of the verse | 8001 | |
Calculated with the major abjad; hamza counts as alif, ta marbuta as ha.
Frequency
Sound generated from the letter values (abjad) of the text; independent of recitation.
Bar height = weight (count); position = frequency (logarithmic)
Options
Letter table
| Letter | Count | Hz | Band | Folded Hz |
|---|---|---|---|---|
| ا | 25 | 1 | Envelope | 1024 |
| ب | 4 | 2 | Envelope | 1024 |
| د | 4 | 4 | Envelope | 1024 |
| ه | 3 | 5 | Envelope | 640 |
| و | 10 | 6 | Envelope | 768 |
| ز | 3 | 7 | Envelope | 896 |
| ح | 1 | 8 | Envelope | 1024 |
| ط | 2 | 9 | Envelope | 1152 |
| ي | 14 | 10 | Envelope | 640 |
| ك | 4 | 20 | Envelope | 640 |
| ل | 13 | 30 | Envelope | 960 |
| م | 10 | 40 | Envelope | 640 |
| ن | 12 | 50 | Envelope | 800 |
| ع | 2 | 70 | Envelope | 1120 |
| ف | 1 | 80 | Envelope | 640 |
| ق | 2 | 100 | Carrier | 800 |
| ر | 5 | 200 | Carrier | 800 |
| ش | 1 | 300 | Carrier | 600 |
| ت | 3 | 400 | Carrier | 800 |
| ذ | 1 | 700 | Carrier | 700 |
| ض | 2 | 800 | Carrier | 800 |
| غ | 1 | 1000 | Carrier | 1000 |
| Total abjad value of the verse | 8001 | |||
The total is shown as a number only; it is not part of the sound. The sound comes entirely from the letters.
Measurement charts
Charts fill while sound is playing.
Envelope spectrum — measured, 0.24 Hz resolution
Wave spectrum — measured (1–1200 Hz, logarithmic)
Variation spectrum — periodicities of the letter sequence
Position = period length (letters, logarithmic); height = power. Label: letters/period and its Hz at the chosen k.
How it works
Derived from letter values only, independent of recitation. Below 100 Hz: envelope modulation · 100 Hz and above: carrier tone; in a verse with no letter above 100 Hz the letters themselves carry, octave-folded. Sound is generated live in the browser; no file.
Flow: the letter sequence as one phase-continuous wave; each letter lasts k full periods of its own frequency (intrinsic duration = Σ 1/value). In the folded mode the per-letter tempo is fixed.