او كالدى مر على ٯرىه وهى حاوىه على عروسها ٯال اںى ىحى هده الله ٮعد موٮها ڡاماٮه الله ماىه عام ٮم ٮعٮه ٯال كم لٮٮٮ ٯال لٮٮٮ ىوما او ٮعص ىوم ٯال ٮل لٮٮٮ ماىه عام ڡاںطر الى طعامك وسراٮك لم ىٮسںه واںطر الى حمارك ولںحعلك اىه للںاس واںطر الى العطام كىڡ ںںسرها ٮم ںكسوها لحما ڡلما ٮٮىں له ٯال اعلم اں الله على كل سى ٯدىر
Aw kaallaẕee marra ʿalâ qaryatin wahiya khâwiyatun ʿalâ ʿurooshihâ qâla annâ yuḥyee hâẕihi Allâhu baʿda mawtihâ faamâtahu Allâhu miata ʿâmin thumma baʿathahu qâla kam labithta qâla labithtu yawman aw baʿḍa yawmin qâla bal labithta miata ʿâmin faonẓur ilâ ṭaʿâmika washarâbika lam yatasannah waonẓur ilâ ḥimârika walinajʿalaka âyatan lilnnâsi waonẓur ilâ alʿiẓâmi kayfa nunshizuhâ thumma naksoohâ laḥman falammâ tabayyana lahu qâla aʿlamu anna Allâha ʿalâ kulli shayin qadeerun
Interpretation
The interpretation of this verse has not been added yet.
Matrix Dynamism
- Matrix point
- GB30 (280/365)
- Channel
- Safra Kesesi · GB
- Element
- Ağaç
- Sign
- Oğlak
- Body region
- Diz / kemik / deri
- Ruler
- Saturn
- Decan
- 1 · Jüpiter
Abjad Values
| # | Word | Value |
|---|---|---|
| 1 | او | 7 |
| 2 | كالدى | 761 |
| 3 | مر | 240 |
| 4 | على | 110 |
| 5 | ٯرىه | 315 |
| 6 | وهى | 21 |
| 7 | حاوىه | 622 |
| 8 | على | 110 |
| 9 | عروسها | 582 |
| 10 | ٯال | 131 |
| 11 | اںى | 61 |
| 12 | ىحى | 28 |
| 13 | هده | 710 |
| 14 | الله | 66 |
| 15 | ٮعد | 76 |
| 16 | موٮها | 452 |
| 17 | ڡاماٮه | 527 |
| 18 | الله | 66 |
| 19 | ماىه | 56 |
| 20 | عام | 111 |
| 21 | ٮم | 540 |
| 22 | ٮعٮه | 577 |
| 23 | ٯال | 131 |
| 24 | كم | 60 |
| 25 | لٮٮٮ | 932 |
| 26 | ٯال | 131 |
| 27 | لٮٮٮ | 932 |
| 28 | ىوما | 57 |
| 29 | او | 7 |
| 30 | ٮعص | 872 |
| 31 | ىوم | 56 |
| 32 | ٯال | 131 |
| 33 | ٮل | 32 |
| 34 | لٮٮٮ | 932 |
| 35 | ماىه | 56 |
| 36 | عام | 111 |
| 37 | ڡاںطر | 1231 |
| 38 | الى | 41 |
| 39 | طعامك | 140 |
| 40 | وسراٮك | 529 |
| 41 | لم | 70 |
| 42 | ىٮسںه | 525 |
| 43 | واںطر | 1157 |
| 44 | الى | 41 |
| 45 | حمارك | 269 |
| 46 | ولںحعلك | 209 |
| 47 | اىه | 17 |
| 48 | للںاس | 171 |
| 49 | واںطر | 1157 |
| 50 | الى | 41 |
| 51 | العطام | 1042 |
| 52 | كىڡ | 110 |
| 53 | ںںسرها | 413 |
| 54 | ٮم | 540 |
| 55 | ںكسوها | 142 |
| 56 | لحما | 79 |
| 57 | ڡلما | 151 |
| 58 | ٮٮىں | 462 |
| 59 | له | 35 |
| 60 | ٯال | 131 |
| 61 | اعلم | 141 |
| 62 | اں | 51 |
| 63 | الله | 66 |
| 64 | على | 110 |
| 65 | كل | 50 |
| 66 | سى | 311 |
| 67 | ٯدىر | 314 |
| Total abjad value of the verse | 20355 | |
Calculated with the major abjad; hamza counts as alif, ta marbuta as ha.
Frequency
Sound generated from the letter values (abjad) of the text; independent of recitation.
Bar height = weight (count); position = frequency (logarithmic)
Options
Letter table
| Letter | Count | Hz | Band | Folded Hz |
|---|---|---|---|---|
| ا | 43 | 1 | Envelope | 1024 |
| ب | 9 | 2 | Envelope | 1024 |
| ج | 1 | 3 | Envelope | 768 |
| د | 2 | 4 | Envelope | 1024 |
| ه | 19 | 5 | Envelope | 640 |
| و | 13 | 6 | Envelope | 768 |
| ز | 1 | 7 | Envelope | 896 |
| ح | 3 | 8 | Envelope | 1024 |
| ط | 1 | 9 | Envelope | 1152 |
| ي | 23 | 10 | Envelope | 640 |
| ك | 9 | 20 | Envelope | 640 |
| ل | 33 | 30 | Envelope | 960 |
| م | 19 | 40 | Envelope | 640 |
| ن | 12 | 50 | Envelope | 800 |
| س | 3 | 60 | Envelope | 960 |
| ع | 13 | 70 | Envelope | 1120 |
| ف | 4 | 80 | Envelope | 640 |
| ق | 7 | 100 | Carrier | 800 |
| ر | 9 | 200 | Carrier | 800 |
| ش | 4 | 300 | Carrier | 600 |
| ت | 7 | 400 | Carrier | 800 |
| ث | 6 | 500 | Carrier | 1000 |
| خ | 1 | 600 | Carrier | 600 |
| ذ | 2 | 700 | Carrier | 700 |
| ض | 1 | 800 | Carrier | 800 |
| ظ | 4 | 900 | Carrier | 900 |
| Total abjad value of the verse | 20355 | |||
The total is shown as a number only; it is not part of the sound. The sound comes entirely from the letters.
Measurement charts
Charts fill while sound is playing.
Envelope spectrum — measured, 0.24 Hz resolution
Wave spectrum — measured (1–1200 Hz, logarithmic)
Variation spectrum — periodicities of the letter sequence
Position = period length (letters, logarithmic); height = power. Label: letters/period and its Hz at the chosen k.
How it works
Derived from letter values only, independent of recitation. Below 100 Hz: envelope modulation · 100 Hz and above: carrier tone; in a verse with no letter above 100 Hz the letters themselves carry, octave-folded. Sound is generated live in the browser; no file.
Flow: the letter sequence as one phase-continuous wave; each letter lasts k full periods of its own frequency (intrinsic duration = Σ 1/value). In the folded mode the per-letter tempo is fixed.