أُو۟لَٰٓئِكَ لَهُمْ نَصِيبٌ مِّمَّا كَسَبُوا۟ وَٱللَّهُ سَرِيعُ ٱلْحِسَابِ
Olâika lahum naṣeebun mimmâ kasaboo waAllâhu sareeʿu alḥisâbi
Interpretation
The interpretation of this verse has not been added yet.
Matrix Dynamism
- Matrix point
- SJ21 (248/365)
- Channel
- Üçlü Isıtıcı · SJ
- Element
- Ateş
- Sign
- Yay
- Body region
- Kalça / uyluk / karaciğer
- Ruler
- Jupiter
- Decan
- 1 · Merkür
Abjad Values
| # | Word | Value |
|---|---|---|
| 1 | أُو۟لَٰٓئِكَ | 67 |
| 2 | لَهُمْ | 75 |
| 3 | نَصِيبٌ | 152 |
| 4 | مِّمَّا | 81 |
| 5 | كَسَبُوا۟ | 89 |
| 6 | وَٱللَّهُ | 72 |
| 7 | سَرِيعُ | 340 |
| 8 | ٱلْحِسَابِ | 102 |
| Total abjad value of the verse | 978 | |
Calculated with the major abjad; hamza counts as alif, ta marbuta as ha.
Frequency
Sound generated from the letter values (abjad) of the text; independent of recitation.
Bar height = weight (count); position = frequency (logarithmic)
Options
Letter table
| Letter | Count | Hz | Band | Folded Hz |
|---|---|---|---|---|
| ا | 6 | 1 | Envelope | 1024 |
| ب | 3 | 2 | Envelope | 1024 |
| ه | 2 | 5 | Envelope | 640 |
| و | 3 | 6 | Envelope | 768 |
| ح | 1 | 8 | Envelope | 1024 |
| ي | 3 | 10 | Envelope | 640 |
| ك | 2 | 20 | Envelope | 640 |
| ل | 5 | 30 | Envelope | 960 |
| م | 3 | 40 | Envelope | 640 |
| ن | 1 | 50 | Envelope | 800 |
| س | 3 | 60 | Envelope | 960 |
| ع | 1 | 70 | Envelope | 1120 |
| ص | 1 | 90 | Envelope | 720 |
| ر | 1 | 200 | Carrier | 800 |
| Total abjad value of the verse | 978 | |||
The total is shown as a number only; it is not part of the sound. The sound comes entirely from the letters.
Measurement charts
Charts fill while sound is playing.
Envelope spectrum — measured, 0.24 Hz resolution
Wave spectrum — measured (1–1200 Hz, logarithmic)
Variation spectrum — periodicities of the letter sequence
Position = period length (letters, logarithmic); height = power. Label: letters/period and its Hz at the chosen k.
How it works
Derived from letter values only, independent of recitation. Below 100 Hz: envelope modulation · 100 Hz and above: carrier tone; in a verse with no letter above 100 Hz the letters themselves carry, octave-folded. Sound is generated live in the browser; no file.
Flow: the letter sequence as one phase-continuous wave; each letter lasts k full periods of its own frequency (intrinsic duration = Σ 1/value). In the folded mode the per-letter tempo is fixed.