ثُمَّ صَدَقْنَٰهُمُ ٱلْوَعْدَ فَأَنجَيْنَٰهُمْ وَمَن نَّشَآءُ وَأَهْلَكْنَا ٱلْمُسْرِفِينَ
Thumma ṣadaqnâhumu alwaʿda faanjaynâhum waman nashâo waahlaknâ almusrifeena
Interpretation
The interpretation of this verse has not been added yet.
Matrix Dynamism
- Matrix point
- LI11 (21/365)
- Channel
- Kalın Bağırsak · LI
- Element
- Metal
- Sign
- Koç
- Body region
- Baş / yüz
- Ruler
- Mars
- Decan
- 3 · Venüs
Abjad Values
| # | Word | Value |
|---|---|---|
| 1 | ثُمَّ | 540 |
| 2 | صَدَقْنَٰهُمُ | 289 |
| 3 | ٱلْوَعْدَ | 111 |
| 4 | فَأَنجَيْنَٰهُمْ | 239 |
| 5 | وَمَن | 96 |
| 6 | نَّشَآءُ | 352 |
| 7 | وَأَهْلَكْنَا | 113 |
| 8 | ٱلْمُسْرِفِينَ | 471 |
| Total abjad value of the verse | 2211 | |
Calculated with the major abjad; hamza counts as alif, ta marbuta as ha.
Frequency
Sound generated from the letter values (abjad) of the text; independent of recitation.
Bar height = weight (count); position = frequency (logarithmic)
Options
Letter table
| Letter | Count | Hz | Band | Folded Hz |
|---|---|---|---|---|
| ا | 7 | 1 | Envelope | 1024 |
| ج | 1 | 3 | Envelope | 768 |
| د | 2 | 4 | Envelope | 1024 |
| ه | 3 | 5 | Envelope | 640 |
| و | 3 | 6 | Envelope | 768 |
| ي | 2 | 10 | Envelope | 640 |
| ك | 1 | 20 | Envelope | 640 |
| ل | 3 | 30 | Envelope | 960 |
| م | 5 | 40 | Envelope | 640 |
| ن | 7 | 50 | Envelope | 800 |
| س | 1 | 60 | Envelope | 960 |
| ع | 1 | 70 | Envelope | 1120 |
| ف | 2 | 80 | Envelope | 640 |
| ص | 1 | 90 | Envelope | 720 |
| ق | 1 | 100 | Carrier | 800 |
| ر | 1 | 200 | Carrier | 800 |
| ش | 1 | 300 | Carrier | 600 |
| ث | 1 | 500 | Carrier | 1000 |
| Total abjad value of the verse | 2211 | |||
The total is shown as a number only; it is not part of the sound. The sound comes entirely from the letters.
Measurement charts
Charts fill while sound is playing.
Envelope spectrum — measured, 0.24 Hz resolution
Wave spectrum — measured (1–1200 Hz, logarithmic)
Variation spectrum — periodicities of the letter sequence
Position = period length (letters, logarithmic); height = power. Label: letters/period and its Hz at the chosen k.
How it works
Derived from letter values only, independent of recitation. Below 100 Hz: envelope modulation · 100 Hz and above: carrier tone; in a verse with no letter above 100 Hz the letters themselves carry, octave-folded. Sound is generated live in the browser; no file.
Flow: the letter sequence as one phase-continuous wave; each letter lasts k full periods of its own frequency (intrinsic duration = Σ 1/value). In the folded mode the per-letter tempo is fixed.